
Fifteen unhinged things said to independent artists, and what they reveal
A listicle of crude remarks from the music business reads, at a distance, like a field guide to how gatekeeping works in any creative field.

A listicle of crude remarks from the music business reads, at a distance, like a field guide to how gatekeeping works in any creative field.

Same-day listings, venue newsletters and a little patience will fill an empty evening in Boston.

A claim about uncollected music payments says something larger about how artists of every kind get paid — and how rarely the money finds its way back.

How the Bay State's fair and festival season moves from the coast to the valley to the Berkshires, and how to plan around it.

Structure, not length, decides whether a reader reaches the last block of a practical guide.

Cleveland's displaced artists say their new building is better. The fuller picture is more mixed, and more instructive for any city watching studio stock vanish.

A Michigan co-op brought back a teaching-and-performance format with one show and two workshops — a modest restart, and a telling one.

Clutter, light and habit leave fingerprints on finished work. A look at what a studio tells a visitor that a gallery wall never will.